Les Vents qui Ventent [the winds that whirl] – A new experience of soul externalized in Time-Le Bruit Court Dans La Ville-the new wave old timey Québécois music and two odd ideas


Le Bruit Court dans la Ville Québécois power-trio [© 2015]

Le Bruit Court Dans la Ville  –   Québécois power-trio                      [© DepositPhotos.com 2014]

The Meme Merchant Culture Society went out the other night to a house hoot, for the first time in many ages, as a possible encouragement to use our French with people who actually speak French for a living, even if they are from the tail end of the Francophone world and tend to get a lot of grief from the Parisian epicenter of the Francophone world about their pronunciation and grammar.  C’est la vie.  This particular evening’s experience was a musical encounter with Québécois folk music trio Le Bruit Court Dans La Ville, “The buzz around town” more or less, le bruit court [literally ‘the noise short’] may also be rendered  as “rumor has it,” though we are not sure if there is a Québécois vs Parisien distinction here – possible.

This is not another music blog, this is a blog mostly about odd ideas; in the course of the evening we encountered enough unusual ideas to be worthy of promotion of the evening’s experience to a blog post.  The first odd idea was not that three Québécoises should be trying to make a living reviving a declining folk music tradition by giving concerts in people’s living rooms aux Etats Unis – a worthy idea – but not that odd.  The first odd idea was that in the Québécois folk music scene, les pieds [the feet] are an instrument you are likely to find credited in an album’s liner notes – extraordinaire.  The second odd idea is that in addition to the usual stories of marital infidelity by wife, or husband you may also find reference a theme of the now largely defunct Social Credit movement.

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The Banality of Art? – a conversation with the late Arthur C. Danto on the proper orientation of Aesthetics- or Why beauty cannot be reduced out of Art

Video


Aesthetics Philosophy of the Arts, Films for the Humanities and Sciences © 2004

I discovered the above video the other day on YouTube:  Aesthetics, Philosophy of the Arts, it seemed interesting and with high production values so I gave it a viddy.

This video turned out to be a very well produced and presented hour long survey of the theories of Aesthetics in Western Art since Socrates.  A narrator takes us through a well worded and satisfactory tour of the arguments, and a couple of talking head philosophers, in the persons of Alexander Nehamas of Princeton and the late Arthur C. Danto who was emereri at Princeton, add commentary and fill in some of the details.

I enjoyed what Prof. Nehamas had to add very much, he had an avuncular manner that was easy to follow, but found I was having some trouble with Prof. Danto both with his manner generally, and later with what he had to say when he moved into his own era and work as a philosopher in the 1960’s.  I found myself developing a somewhat testy dialogue with the Dead Prof. hoping to point out that even though one may push a particular theoretical or philosophical paradigm to the limit where is breaks, or is somehow formally completed, doesn’t mean that the paradigm and its various developmental modes suddenly loses utility or there aren’t other perfectly valid paradigms to pursue.

DECONSTRUCTION
There is a difference between stretching the boundaries of a definition of a word to their logical limit, and breaking the boundaries of that definition so that there is no longer a logical use for it.

~ ϕ

I found the video presentation informative and I highly recommend it if you have about an hour for art’s sake.  I invite you to take a look now.

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